‘Oh, Slavery Days!’: history, memory, erasure
Dub is strange. A musical process and a sub-genre formed in the early 1970s and pioneered by Clement Dodd, Sylvan Morris, Lee Perry, King Tubby, Scientist, Jah Shaka and The Mad Professor, dub takes place through a kind of violence, an act of reducing archival audio documents to fragments and traces, yet is associated, in its sound system context, with communal reverie and meditative states.
A marginal music and a music of margins, first and most enduringly located on the ‘b side’, the underside, of phonographic recordings, dub is a sub genre of reggae music, subordinate and secondary to song-writing, musical performance and recording. And yet more so than reggae song writing, vocal or musical performance, dub’s influence reverberates across other genres of electronic music, even while never quite comprising a genre of its own.
Dub is also a sonic process, a way of making new music from existing music that is always present in all forms of electronically recorded music, as that which is waiting to be excavated and discovered for the first time. You can hear dub process in late 20th century and 21st popular electronic dance music, in the 80’s hip hop productions of Marley Marl and the Bomb Squad, in the techno of Basic Channel and Mika Vaino, in dubstep and drum and bass, and you can hear its conceptual pre-figurations in jazz and the avant garde music of Cage and Stockhausen.
And yet, in spite or perhaps because of its broad cultural resonance, dub has at its heart a concern with ideas of emptiness and silence, being and presence, space and repetition, and these ideas intersect with themes, especially in reggae, of Diaspora, and ‘race’, history and memory, longing and loss.
Join Edward George, on a journey into reggae, dub, versions and versioning that draws on critical theory, social history, a deep and wide cross-genre musical selection, and live dub mixing.
Edward George is a writer, researcher, and presenter of Black Audio Film Collective’s ground-breaking science fiction documentary Last Angel of History. Edward is a founder of Black Audio Film Collective (1982-1998), the multimedia duo Flow Motion (1996-present), and the electronic music group Hallucinator (1998-present).
- East Man Sound by Augustus Pablo
- The Trolly Song by Judy Garland
- The TrollySong by MJT + 3
- Further East by Don Drummond and the Skatalites
- Serenade in Sound by The Workshop Musicians
- Rain or Shine by The Skatalites (version 1)
- Rain or Shine by The Skatalites (version 2)
- Rain or Shine by The Skatalites (version 3)
- Addis Ababa by Don Drummond
- Addis Ababa by Willy Williams and the Don D All Stars
- Addis Ababa part 2 by Willy Williams and the Don D All Stars
- Eastern Standard Time by The Skatalites
- Door Peep Shall not enter by Burning Spear
- LK Strut by Karl Bryant
- New Civilisation by Burning Spear
- Civilisation Version by Burning Spear
- Foggy Road by Burning Spear
- Slavery by Burning Spear
- I and I Survive (Slavery Days) by Burning Spear
- Stumbling Block by Martin Campbell
- Stumbling Dub by High Tech Roots Dynamic